David Wax Museum “Guesthouse” Album Review

Guesthouse, David Wax Museum’s new album that comes out Friday, is loose and open and celebratory. DWM is described as Mexo-Americana and their sound certainly reinforces this idea that they will cross boundaries. The album begins with something like a wind chime, then driving, muffled drums, and quick acoustic guitar fingerpicking on “Every Time Katie.” Some of the sonic quality reminds me a bit of Wilco, with hints of reverb and backing vocals that are sometimes harmonies and sometimes whispers.

The sheer range of percussive sounds on the album is one of the highlights for me–it feels like each time I’ve listened, there is something new to appreciate. While a few of the songs are spare, much of the album feels like a group of wonderful friends getting together to make music with whatever instruments are at hand.

The title track is probably my favorite song from the album – it’s driving and upbeat and feels like it’s meant to be played with your windows rolled down. I also loved “Singing to Me,” the fifth track on the album. It stands out in part because it’s slower and more ponderous with beautiful accompaniment on fiddle and piano and comes at just the right time. “Blood Jump” is another standout, with a steady bassline propelling the song while accordions, acoustic and electric guitars play with melodies.

David Wax Museum is in the area touring. They’re at The Sinclair on October 24 and have other dates in New England beginning tonight in Portland.